Amaryllidacea.

Amaryllidacea
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A-G
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Herbaceous, perennials and bulbous flowering plants, named after the genus Amaryllis. Found all over the world.

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*Amaryllidaceae - Amaryllis* Nestor + Amaryllis Splendent.** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1887, July - December, volume 32, plate 614. Chromolithograph by G. Severeyns after painting by H.G. Moon (sheet 220 x 283 mm). Illustrated text enclosed. € 110 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Amaryllidaceae - Barbacenia squamata. From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1845, volume 1. Hand-coloured lithograph (sheet 160 x 238 mm). Slight browning and offset. Text enclosed. € 50 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
*Amaryllidaceae - Barbacenia* hybrides** (6 varieties). From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1856, volume 11, plate 1152. Hand-coloured lithograph (sheet 157 x 240 mm). Text enclosed. € 60 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Amaryllidaceae - Bomarea edulis. From: Annales de la Société royale d’Agriculture et de Botanique de Gand, Journal d’horticulture by Charles Morren (editor). Gand [Gent], Local de la Société (Casino), etc., 1849, volume 5, plate 279. Hand-coloured lithograph (sheet 169 x 257 mm). Text enclosed. € 60 Belgian horticultural journal, published from 1845-1849 by the Royal Agricultural and Botanical Society of Gent, organizer of the famous flower shows in Gent, Gentse Floraliën, since 1809. Started and edited by Charles Morren at the same time as the more successful competitor the Flore des serres et des jardins de l’Europe of the nurseryman Louis van Houtte. * Great flower books p. 84; Nissen BBI 2212.
*Amaryllidaceae - Brunsvigia josephinae.* From: Flore des serres et des jardins de l'Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1848, volume 4, plate 322-323. Chromolithograph finished by hand (sheet 241 x 333 mm with folds). Text enclosed. € 160 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Amaryllidaceae - Buphane disticha - Brunsvigia (Buphone) toxicaria. From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1849, volume 5, plate 434. Hand-coloured lithograph (sheet 314 x 239 mm with fold). Text enclosed. € 95 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Amaryllidaceae - Buphane disticha - Brunsvigia ciliaris. From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1847, volume 3, plate 192-193. Hand-coloured lithograph (sheet 299 x 237 mm with folds). Text enclosed. € 100 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Amaryllidaceae - Calostemma purpureum + Calostemma luteum. From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1856, volume 11, plate 1135. Chromolithograph finished by hand (sheet 160 x 240 mm). Text enclosed. € 65 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
*Amaryllidaceae - Chlidanthus fragrans.* From: Flore des serres et des jardins de l'Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1848, volume 4, plate 326. Chromolithograph finished by hand (sheet 159 x 241 mm with slight offset). Text enclosed. € 70 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
*Amaryllidaceae - Clivia miniata* Madame Le Grelle d’Hanis.** From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Édouard Pynaert, Émile Rodigas, August van Geert & Hubret J. van Hulle (editors). Gand [Gent], Bureaux de la Revue, 1881, volume 7, plate 1. Chromolithograph (sheet 333 x 252 mm with strenghtened fold). Text enclosed. € 80 Belgian monthly, published from 1875-1914 giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Amaryllidaceae - Coburgia trichroma. From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1889, July - December, volume 36, plate 709. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 223 x 287 mm). Text enclosed. € 120 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Amaryllidaceae - Collania bomarea - Collania andinamarcana. From: Annales de la Société royale d’Agriculture et de Botanique de Gand, Journal d’horticulture by Charles Morren (editor). Gand [Gent], Local de la Société (Casino), etc., 1847, volume 3, plate 125. Hand-coloured lithograph (sheet 169 x 258 mm). Text enclosed. € 50 Belgian horticultural journal, published from 1845-1849 by the Royal Agricultural and Botanical Society of Gent, organizer of the famous flower shows in Gent, Gentse Floraliën, since 1809. Started and edited by Charles Morren at the same time as the more successful competitor the Flore des serres et des jardins de l’Europe of the nurseryman Louis van Houtte. * Great flower books p. 84, Nissen BBI 2212.
Amaryllidaceae - Cooperia chlorosolen. From: Curtis’s botanical magazine; or flower garden displayed. Conducted by Samual Curtis. The descriptions by William Jackson Hooker. London, Samual Curtis, 1836, volume 63, plate 3481. Hand-coloured plate by William Herbert, engraved by Joseph Swan (sheet 162 x 253 mm). Slight offset. Text enclosed. € 55 The first and most important botanical magazine made up of ‘figures’ of plants and short descriptions. Provides a storehouse of exotics, paralleling the indigenous plants … (Hunt). A delightful work pictorially, never excelled as a periodical, most carefully coloured and a source of lasting interest and information (Dunthorne). Started by William Curtis in 1787 publication still continues. * Pritzel 2007; Dunthorne 88; Great flower books pp. 83-84; Hunt 689; Nissen BBI 2350; Henrey 472; Stafleu & Cowan 1290.
Amaryllidaceae - Crinum americanum. From: Curtis’s botanical magazine; or flower garden displayed by John Sims (editor). London, 1807, volume 26, plate 1034. Hand-coloured engraving by Francis Sansom after Sydenham Teast Edwards (sheet 280 x 229 mm with folds). Slight offset. Text enclosed in photocopy. € 80 The first and most important botanical magazine made up of ‘figures’ of plants and short descriptions. Provides a storehouse of exotics, paralleling the indigenous plants … (Hunt). A delightful work pictorially, never excelled as a periodical, most carefully coloured and a source of lasting interest and information (Dunthorne). Started by William Curtis in 1787 publication still continues. * Pritzel 2007; Dunthorne 88; Great flower books pp. 83-84; Hunt 689; Nissen BBI 2350; Henrey 472; Stafleu & Cowan 1290; Johnston 577.
Amaryllidaceae - Crinum fimbriatulum. From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1899, January - July, volume 55, plate 1209. Chromolithograph by J.L. Goffart after painting by H.G. Moon (sheet 223 x 285 mm). Text enclosed. € 90 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Amaryllidaceae - Crinum moorei - Crinum makoyanum. From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1887, volume 13, plate 20. Chromolithograph (sheet 167 x 253 mm). Text enclosed. € 30 Belgian monthly, published from 1875-1914, giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Amaryllidaceae - Crinum x powellii. From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1890, January - June, volume 37, plate 737. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 218 x 282 mm). Illustrated text enclosed. € 75 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Amaryllidaceae - Cyrtanthus sanguineus. From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1890, January - June, volume 37, plate 748. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 218 x 282 mm). Text enclosed. € 110 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Amaryllidaceae - Cyrtanthus uniflorus - Gastronema clavatum. From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1853, volume 8, plate 813. Chromolithograph by L. Stroobant finished by hand (sheet 158 x 238 mm). Text enclosed. € 50 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Amaryllidaceae - Eucharis candida. From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1853, volume 8, plate 788. Chromolithograph finished by hand (sheet 158 x 238 mm). Text enclosed. € 45 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Amaryllidaceae - Eucharis grandiflora - Eucharis amazonica + Eucharis sanderii + Eucharis candida. From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, Émile Rodigas, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1885, volume 11, plate 18. Chromolithograph (sheet 167 x 253 mm). Text enclosed. € 60 Belgian monthly, published from 1875-1914, giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Amaryllidaceae - Griffinia hyacinthina. From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1889, July - December, volume 36, plate 724. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 223 x 287 mm). Illustrated text enclosed. € 130 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Amaryllidaceae - . From: Annales de la Société royale d’Agriculture et de Botanique de Gand, Journal d’horticulture by Charles Morren (editor). Gand [Gent], Local de la Société (Casino), etc., 1845, volume 1, plate 13. Hand-coloured lithograph by Alex. Lagarde (sheet 167 x 256 mm). Slightly wrinkled by damp. Text enclosed. € 40 Belgian horticultural journal, published from 1845-1849 by the Royal Agricultural and Botanical Society of Gent, organizer of the famous flower shows in Gent, Gentse Floraliën, since 1809. Started and edited by Charles Morren at the same time as the more successful competitor the Flore des serres et des jardins de l’Europe of the nurseryman Louis van Houtte. * Great flower books p. 84; Nissen BBI 2212.
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