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Aquifoliaceae | |
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Ilex cornuta From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. |
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Aquifoliaceae - Ilex aquifolium From: Dictionnaire des sciences naturelles. Planches … Botanique classée d’après la méthode naturelle de M. Antoine-Laurent de Jussieu by Pierre Jean François Turpin. Paris & Strasbourg, F.G. Levrault, 1816-1829, volume 5, plate 271. Hand-coloured engraving after Turpin (sheet 120 x 213 mm).
€ 65
"Pierre Jean
François Turpin (1775-1840) was possibly the greatest botanical genius of all
the French botanical painters of his day … In particular, his drawings of
botanical details have rarely been surpassed. ..." (Blunt). With Pierre-Antoine
Poiteau he collaborated in some of the most important botanical publications of
the early years of the nineteenth century. In the finely illustrated botanical
part of the Dictionnaire … the plates by several engravers were issued
uncoloured or coloured.* Pritzel 10.722; Nissen BBI 2239; Blunt p. 180 ff.; Stafleu & Cowan 1293 & 15.384. |
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Aquifoliaceae -
Ilex aquifolium From: Flora batava by Jan Kops, Herman Christiaan van Hall and others. Amsterdam, J.C. Sepp, 1844, volume 8, plate 627. Hand-coloured engraving (uncut, unpressed sheet 248 x 305 mm). Text enclosed.
€ 80
The Flora batava, a monumental
work forming a beautifully illustrated survey of all indigenous plants in the
Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and
professor of botany at Utrecht. The first 10 volumes constitute all that was
prepared and issued under his supervision (later assisted by Herman Christiaan
van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der
Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor
for volume 28, in which he concludes that this work has ended now and that
publication took longer than any comparable foreign flora: "De Flora Batava
heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche
plaatwerken." The long publication period reflects the change in the technique
of its illustrations. Initially copper-engravings were used, followed by
lithographs, all coloured by hand, but from volume 25 colour-printing was
gradually introduced. Also several artists were involved, but the plates are not
signed, nor much information is given about them. The first publisher, J.C. Sepp
en Zoon, was renowned for its scientific colour-plate books. Each plate is
accompanied by a text in Dutch and French. The work was issued in 8vo and 4to.
This plate is in the most desirable large 4to format.* Pritzel 4822; Jackson p. 324; Great flower books p. 63; Nissen BBI 2247; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the Koninklijke Bibliotheek 70. |
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Aquifoliaceae - Ilex aquifolium From: Nederlandsche flora en pomona beschreven en uitgegeven door het bestuur der Pomologische Vereeniging te Boskoop, by K.J.W. Ottolander, A. Koster & C. de Vos (editors). Groningen, J.B. Wolters, [1875-] 1876-1879, plate 18. Chromolithograph by A.J. Wendel (sheet 250 x 327 mm). Text enclosed.
€ 90
The beautiful
colour-plates were lithographed in Belgium by G. Severyns. They depict
flowers and fruit then growing in The Netherlands. Publication started in
1875 on the initiative of the Pomological Society at Boskoop.* Nissen BBI 1474. |
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Aquifoliaceae -
Ilex cornuta From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1854, volume 9, plate 895. Chromolithograph (sheet 158 x 243 mm). Text enclosed.
€ 40
The founder, publisher
and part-editor of this lavish Belgian periodical was Louis van Houtte,
the propietor of the largest nursery of its time on the continent. It
appeared monthly for almost 40 years and was published by his own printing
office in the middle of the gardens, the Horto van Houtteano. All the
plants shown were for sale in his nursery and include many exotics. The
work is notable for the craftmanship of the Belgian lithographers
Severeyns, Stroobant and De Pannemaker, who had mastered the art of
colour-printing from stone.
* Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921. |
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