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Asphodelaceae | |
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Kniphofia aloides
x glaucescens From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). |
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Asphodelaceae - Asphodelus albus From: Dictionnaire de botanique by Henri Ernest Baillon and others. Paris, Hachette, 1876, volume 1. Chromolithograph by Portail after Auguste Faguet (sheet 230 x 310 mm).
€ 60
Auguste Faguet produced
delicate botanical wood-engravings of great accuracy for the works of
Henri Ernest Baillon. For the Dictionnaire de botanique, published
from 1876-1892 in 34 fascicles, he also made 32 fine chromolithographed
plates, which came out with each fascicle without additional text (2
contained no plate).* Nissen BBI 61 + I p. 150; Stafleu & Cowan 253. |
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Asphodelaceae - Asphodelus albus - Asphodelus subalpinus From: Herbier de la flore française by Louis Antoine Cusin & Edmonde Ansberque. Procédé de reproduction dit phytoxygraphique. Publié sous le patronage du Service du Parc et des Jardins de la ville de Lyon. Lyon, 1876. Nature-printing with hand-coloured flower detail (sheet ca. 260 x 375 mm). Marginally partly slightly stained. Without text as issued.
€ 45
The plates
are reproductions of actual specimens and give the appearance of the plants very
accurately. The flower details are separately drawn at the bottom of most plates
and hand-coloured. "… for though the "photoxygraphic" plates of the twenty-five
volumes of the Herbier de la Flore Française of Louis Antoine Cusin
(1824-1901) and Edme Ansberque (1828-1905), published at Lyons between 1867 and
1876, are of considerable botanic importance, they are aestetically
disappointing" (Blunt & Stearn p. 142). However the plants are carefully
selected and nicely arranged.* Fischer, E.: Zweihundert Jahre Naturselbstdruck 96; Blunt & Stearn p. 142; Nissen BBI 444 + I p. 248. |
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Asphodelaceae - Asphodelus albus + Asphodelus albus x ramosa From: Herbier de la flore française by Louis Antoine Cusin & Edmonde Ansberque. Procédé de reproduction dit phytoxygraphique. Publié sous le patronage du Service du Parc et des Jardins de la ville de Lyon. Lyon, 1876. 2 nature-printings with hand-coloured flower detail (sheet ca. 260 x 375 mm). Marginally partly slightly stained. Without text as issued.
€ 70
The plates
are reproductions of actual specimens and give the appearance of the plants very
accurately. The flower details are separately drawn at the bottom of most plates
and hand-coloured. "… for though the "photoxygraphic" plates of the twenty-five
volumes of the Herbier de la Flore Française of Louis Antoine Cusin
(1824-1901) and Edme Ansberque (1828-1905), published at Lyons between 1867 and
1876, are of considerable botanic importance, they are aestetically
disappointing" (Blunt & Stearn p. 142). However the plants are carefully
selected and nicely arranged.* Fischer, E.: Zweihundert Jahre Naturselbstdruck 96; Blunt & Stearn p. 142; Nissen BBI 444 + I p. 248. |
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Asphodelaceae - Asphodelus fistulosus From: Herbier de la flore française by Louis Antoine Cusin & Edmonde Ansberque. Procédé de reproduction dit phytoxygraphique. Publié sous le patronage du Service du Parc et des Jardins de la ville de Lyon. Lyon, 1876. Nature-printing with hand-coloured flower detail (sheet ca. 260 x 375 mm). Marginally partly slightly stained. Without text as issued.
€ 45
The plates are reproductions of
actual specimens and give the appearance of the plants very accurately. The
flower details are separately drawn at the bottom of most plates and
hand-coloured. "… for though the "photoxygraphic" plates of the twenty-five
volumes of the Herbier de la Flore Française of Louis Antoine Cusin
(1824-1901) and Edme Ansberque (1828-1905), published at Lyons between 1867 and
1876, are of considerable botanic importance, they are aestetically
disappointing" (Blunt & Stearn p. 142). However the plants are carefully
selected and nicely arranged.* Fischer, E.: Zweihundert Jahre Naturselbstdruck 96; Blunt & Stearn p. 142; Nissen BBI 444 + I p. 248. |
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Asphodelaceae - Asphodelus microcarpus From: Herbier de la flore française by Louis Antoine Cusin & Edmonde Ansberque. Procédé de reproduction dit phytoxygraphique. Publié sous le patronage du Service du Parc et des Jardins de la ville de Lyon. Lyon, 1876. Nature-printing with hand-coloured flower detail (sheet ca. 260 x 375 mm). Marginally partly slightly stained. Without text as issued.
€ 45
The plates are reproductions of
actual specimens and give the appearance of the plants very accurately. The
flower details are separately drawn at the bottom of most plates and
hand-coloured. "… for though the "photoxygraphic" plates of the twenty-five
volumes of the Herbier de la Flore Française of Louis Antoine Cusin
(1824-1901) and Edme Ansberque (1828-1905), published at Lyons between 1867 and
1876, are of considerable botanic importance, they are aestetically
disappointing" (Blunt & Stearn p. 142). However the plants are carefully
selected and nicely arranged.* Fischer, E.: Zweihundert Jahre Naturselbstdruck 96; Blunt & Stearn p. 142; Nissen BBI 444 + I p. 248. |
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Asphodelaceae - Eremurus bungei From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1886, January - June, volume 29, plate 535. Chromolithograph (sheet 217 x 280 mm). Illustrated text enclosed.
€ 95
"All
gardeners owe an infinite debt of gratitude to William Robinson - founder of
The Garden (1871-1927) and Flora and Sylva (1903-05), and author of
The English Flower Garden (1883, etc.) and other works - who helped to
break the tyranny of formal bedding and, like Ruskin, drew attention to the
beauties of the wild garden. Among the artists whom he employed was Henry Moon,
who struck a new and personal, if not entirely healthy, note in botanical
illustration. …" (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits
dominated the pages of The Garden, a popular horticultural publication.
Renowned for his lifelike paintings of orchids, Moon appealed to Robinson
because of his ability to sketch flowers in a graceful, naturalistic style. The
subtle colourings of his paintings and simple arrangement of flowers were very
unlike the more stylised renderings that appeared in competitors’ publications.
The beautiful colour-plates were lithographed and printed by the Belgian firm G.
Severeyns and its successor J.L. Goffart, notable for their craftmanship. ¶
Blunt & Stearn pp. 239-240; Nissen BBI 2264; BPH 391-10. |
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Asphodelaceae - Eremurus robustus From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1886, January - June, volume 29, plate 529. Chromolithograph (sheet 217 x 280 mm). Text enclosed.
€ 70
"All gardeners owe
an infinite debt of gratitude to William Robinson - founder of The Garden
(1871-1927) and Flora and Sylva (1903-05), and author of The English
Flower Garden (1883, etc.) and other works - who helped to break the tyranny
of formal bedding and, like Ruskin, drew attention to the beauties of the wild
garden. Among the artists whom he employed was Henry Moon, who struck a new and
personal, if not entirely healthy, note in botanical illustration. …" (Blunt &
Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of
The Garden, a popular horticultural publication. Renowned for his lifelike
paintings of orchids, Moon appealed to Robinson because of his ability to sketch
flowers in a graceful, naturalistic style. The subtle colourings of his
paintings and simple arrangement of flowers were very unlike the more stylised
renderings that appeared in competitors’ publications. The beautiful
colour-plates were lithographed and printed by the Belgian firm G. Severeyns and
its successor J.L. Goffart, notable for their craftmanship.* Blunt & Stearn pp. 239-240; Nissen BBI 2264; BPH 391-10. |
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Asphodelaceae - Kniphofia aloides
x glaucescens From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1889, July - December, volume 36, plate 727. Chromolithograph by Guillaume Severeyns after painting by Arentine H. Arendsen [Arensden sic.] (sheet 223 x 287 mm). Illustrated text enclosed. € 175
"All gardeners owe an infinite debt of gratitude to William Robinson -
founder of The Garden (1871-1927) and Flora and Sylva (1903-05),
and author of The English Flower Garden (1883, etc.) and other works -
who helped to break the tyranny of formal bedding and, like Ruskin, drew
attention to the beauties of the wild garden. …" (Blunt & Stearn). The beautiful
colour-plates of The Garden, a popular horticultural publication, were
lithographed and printed by the Belgian firm G. Severeyns and its successor J.L.
Goffart, notable for their craftmanship.* Blunt & Stearn pp. 239-240; Nissen BBI 2264; BPH 391-10. |
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Asphodelaceae -
Kniphofia corallina
- Tritoma corallina From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1893, volume 19, plate 3. Chromolithograph (sheet 157 x 244 mm). Text enclosed.
€ 35
Belgian
monthly, published from 1875-1914, giving general information about
horticulture, new introductions and varieties, exhibitions etc. Most
colour-plates were drawn and lithographed by P. de Pannemaeker, one of the
leading artists of this time when Gent became the horticultural centre of the
continent.* BPH 781-22; not in Nissen BBI. |
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Asphodelaceae - Kniphofia nelsonii From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1899, January - July, volume 55, plate 1213. Chromolithograph by J.L. Goffart after painting by H.G. Moon (sheet 223 x 285 mm). Illustrated text enclosed.
€ 105
"All gardeners owe an infinite debt of
gratitude to William Robinson - founder of The Garden (1871-1927) and
Flora and Sylva (1903-05), and author of The English Flower Garden
(1883, etc.) and other works - who helped to break the tyranny of formal bedding
and, like Ruskin, drew attention to the beauties of the wild garden. Among the
artists whom he employed was Henry Moon, who struck a new and personal, if not
entirely healthy, note in botanical illustration. …" (Blunt & Stearn). From 1880
Henry George Moon’s plant portraits dominated the pages of The Garden, a
popular horticultural publication. Renowned for his lifelike paintings of
orchids, Moon appealed to Robinson because of his ability to sketch flowers in a
graceful, naturalistic style. The subtle colourings of his paintings and simple
arrangement of flowers were very unlike the more stylised renderings that
appeared in competitors’ publications. The beautiful colour-plates were
lithographed and printed by the Belgian firm G. Severeyns and its successor J.L.
Goffart, notable for their craftmanship.* Blunt & Stearn pp. 239-240; Nissen BBI 2264; BPH 391-10. |
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