Asphodelaceae -
Kniphofia nelsonii.
From: The garden. An illustrated weekly journal of horticulture in all its branches by
William Robinson (editor). London, 1899, January - July, volume 55, plate 1213.
Chromolithograph by J.L. Goffart after painting by H.G. Moon (sheet 223 x 285
mm). Illustrated text enclosed.€ 105
All gardeners owe an infinite debt of
gratitude to William Robinson - founder of The Garden (1871-1927) and
Flora and Sylva (1903-05), and author of The English Flower Garden
(1883, etc.) and other works - who helped to break the tyranny of formal bedding
and, like Ruskin, drew attention to the beauties of the wild garden. Among the
artists whom he employed was Henry Moon, who struck a new and personal, if not
entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880
Henry George Moon’s plant portraits dominated the pages of The Garden, a
popular horticultural publication. Renowned for his lifelike paintings of
orchids, Moon appealed to Robinson because of his ability to sketch flowers in a
graceful, naturalistic style. The subtle colourings of his paintings and simple
arrangement of flowers were very unlike the more stylised renderings that
appeared in competitors’ publications. The beautiful colour-plates were
lithographed and printed by the Belgian firm G. Severeyns and its successor J.L.
Goffart, notable for their craftmanship.
* Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
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Asphodelaceae - Kniphofia
rooperi.
From: Le jardin fleuriste, journal général des progrès et des intérêts
horticoles et botaniques by Charles Lemaire (editor).
Gand [Gent], F. et E. Gyselynck, 1854, volume 4, plate 362. Chromolithograph
finished by hand (sheet 163 x 245 mm). Text enclosed.€ 50
Lemaire (1800-1871), was a French botanist
and specialist on Cactaceae. He worked in Belgium as editor of several important
botanical publications, such as the Flore des serres and l'Illustration
horticole. Le jardin fleuriste was published from 1851 to 1854 in 4 volumes and
is beautifully illustrated, sometimes with large folding plates, which have
double numbers. It has a definite preference for the exotic plants, suitable
only for the hot-house in northern Europe. In the first half of the 19th century
colour-printing from stone dominated the scene of botanical illustration and the
Belgian lithographers reached the ultimate in craftmanship, in a period that
Belgium was one of the main horticultural centres in Europe.
* Pritzel 10.776; Nissen BBI 2338; Great flower books p. 85; Stafleu & Cowan 4376. |
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