Asteraceae
S-Si
Senecio palustris - Cineraria palustris
From: Flora batava by Jan Kops and others.
Asteraceae - Schoenia cassiniana - Schoenia oppositifolia
From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others.
Gand [Gent], Louis van Houtte, 1851, volume 6, plate 630. Chromolithograph finished by hand (sheet 160 x 238 mm). Text enclosed.
€ 55
The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone.
* Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Asteraceae - Scorzonera mollis
From: Curtis’s botanical magazine; or flower garden displayed.
London, 1830, volume 57, plate 3027. Hand-coloured engraving by William Jackson Hooker (sheet 140 x 227 mm). Text enclosed.
€ 55
The first and most important botanical magazine made up of 'figures' of plants and short descriptions. Provides a storehouse of exotics, paralleling the indigenous plants … (Hunt). A delightful work pictorially, never excelled as a periodical, most carefully coloured and a source of lasting interest and information (Dunthorne). Started by William Curtis in 1787 publication still continues.
* Pritzel 2007; Dunthorne 88; Great flower books pp. 83-84; Hunt 689; Nissen BBI 2350; Henrey 472; Stafleu & Cowan 1290.
Asteraceae - Senecio ampullaceus
From: Curtis’s botanical magazine; or flower garden displayed. Conducted by Samual Curtis. The descriptions by William Jackson Hooker.
London, Samual Curtis, 1836, volume 63, plate 3487. Hand-coloured engraving by Joseph Swan (sheet 162 x 253 mm). Text enclosed.
€ 60
The first and most important botanical magazine made up of ‘figures’ of plants and short descriptions. Provides a storehouse of exotics, paralleling the indigenous plants … (Hunt). A delightful work pictorially, never excelled as a periodical, most carefully coloured and a source of lasting interest and information (Dunthorne). Started by William Curtis in 1787 publication still continues.
* Pritzel 2007; Dunthorne 88; Great flower books pp. 83-84; Hunt 689; Nissen BBI 2350; Henrey 472; Stafleu & Cowan 1290.
Asteraceae - Senecio jacobaea
From: Flora rustica: exhibiting accurate figures of such plants as are either useful or injurious in husbandry by Thomas Martyn.
London, F.P. Nodder, [1793], volume 3, plate 85. Hand-coloured engraving by Frederick Polydore Nodder (sheet 133 x 225 mm). Text enclosed.
€ 40
Frederick Polydore Nodder (fl. 1777-1800), Botanic Painter to Queen Charlotte, made illustrations for Erasmus Darwin’s Botanic Garden, and a number of delicate little plates for T. Martyn’s Flora Rustica … (Blunt & Stearn). The plates were not only drawn and engraved by Nodder, but also coloured under his direction. Thomas Martyn was professor of botany at Cambridge.
* Pritzel 5929; Dunthorne 196; Blunt & Stearn p. 151; Nissen BBI 1291; Great flower books p. 67; Hunt 721; Henrey 1023; Stafleu & Cowan 5570.
Asteraceae - Senecio kaempferi - Farfugium grande
From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others.
Gand [Gent], Louis van Houtte, 1857, volume 12, plate 1187. Chromolithograph finished by hand (sheet 242 x 160 mm). Text enclosed.
€ 35
The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone.
* Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Asteraceae - Senecio laxifolius
From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor).
London, 1895, January - July, volume 47, plate 1008. Chromolithograph by Guillaume Severeyns after painting by Miss Tisdale (sheet 223 x 285 mm). Text enclosed.
€ 90
All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. … (Blunt & Stearn). The beautiful colour-plates of The Garden, a popular horticultural publication, were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship.
* Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Asteraceae - Senecio laxifolius
Asteraceae - Senecio macroglossus
From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor).
London, 1884, July - December, volume 26, plate 451. Chromolithograph (sheet 217 x 280 mm). Text enclosed.
€ 80
All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firms G. Severeyns and J.L. Goffart, notable for their craftmanship.
* Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Asteraceae - Senecio macroglossus
Asteraceae - Senecio maderensis - Cineraria aurita
From: Curtis’s botanical magazine; or flower garden displayed.
London, 1815, volume 43, plate 1786. Hand-coloured engraving (sheet 143 x 237 mm). Text enclosed.
€ 45
The first and most important botanical magazine made up of 'figures' of plants and short descriptions. Provides a storehouse of exotics, paralleling the indigenous plants … (Hunt). A delightful work pictorially, never excelled as a periodical, most carefully coloured and a source of lasting interest and information (Dunthorne). Started by William Curtis in 1787 publication still continues.
* Pritzel 2007; Dunthorne 88; Great flower books pp. 83-84; Hunt 689; Nissen BBI 2350; Henrey 472; Stafleu & Cowan 1290.
Asteraceae - Senecio paludosus
From: Flora batava by Jan Kops and others.
Amsterdam, J.C. Sepp, 1822, volume 4, plate 304. Hand-coloured engraving (unpressed sheet 240 x 298 mm). Text enclosed.
€ 80
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the Koninklijke Bibliotheek 70.
Asteraceae - Senecio palustris - Cineraria palustris
From: Flora batava by Jan Kops and others.
Amsterdam, J.C. Sepp, 1807, volume 2, plate 119. Hand-coloured engraving (sheet 225 x 278 mm). Text enclosed.
€ 210
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. Most plates in the first 3 volumes were illustrated by Georg Jacob Johann van Os. He was born in 1782 in The Hague and settled in Paris in 1826, where he worked for the Sèvres porcelain factory and was a painter of flower and fruit pieces, still lifes, etc. These early, finely engraved plates are exquisitely coloured by hand. Each plate is accompanied by a text in Dutch and French. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. The work was issued in 8vo and 4to. This plate is in the most desirable 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Sam Segal: Flowers and nature pp. 250-251 (Georgius Jacobus Johannes van Os); Johnston 663; A hundred highlights from the Koninklijke Bibliotheek 70.
Asteraceae - Senecio palustris - Cineraria palustris xhollandica
From: Flora batava by Jan Kops, Herman Christiaan van Hall and others.
Amsterdam, J.C. Sepp, 1844, volume 8, plate 608. Hand-coloured engraving (uncut, unpressed sheet 250 x 305 mm). Text enclosed.
€ 95
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the Koninklijke Bibliotheek 70.
Asteraceae - Senecio viscosus
From: Flora batava by Jan Kops and others.
Amsterdam, J.C. Sepp, 1822, volume 4, plate 270. Hand-coloured engraving (unpressed sheet 237 x 299 mm). Text enclosed.
€ 100
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the Koninklijke Bibliotheek 70.
Asteraceae - Senecio - Cinerariae hortenses (many varieties)
From: Annales de la Société royale d’Agriculture et de Botanique de Gand, Journal d’horticulture by Charles Morren (editor).
Gand [Gent], Local de la Société (Casino), etc., 1846, volume 2, plate 69. Hand-coloured lithograph (sheet 168 x 256 mm). Text enclosed.
€ 55
Belgian horticultural journal, published from 1845-1849 by the Royal Agricultural and Botanical Society of Gent, organizer of the famous flower shows in Gent, Gentse Floraliën, since 1809. Started and edited by Charles Morren at the same time as the more successful competitor Flore des serres et des jardins de l’Europe of the nurseryman Louis van Houtte.
* Nissen BBI 2212; Great flower books p. 84.
Asteraceae - Serratula heterophylla
From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1831, volume 4, plate 311. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed in photocopy.
€ 60
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt & Stearn).
* Pritzel 4404; Dunthorne 160; Blunt & Stearn pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Asteraceae - Serratula rhapontica
From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1831, volume 4, plate 310. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed.
€ 60
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt & Stearn).
* Pritzel 4404; Dunthorne 160; Blunt & Stearn pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Asteraceae - Serratula tinctoria + Serratula nudicaulis
From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1831, volume 4, plate 312. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed in photocopy.
€ 60
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt & Stearn).
* Pritzel 4404; Dunthorne 160; Blunt & Stearn pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Asteraceae - Silphium terebinthinaceum - Silphium terebinthaceum
From: Curtis’s botanical magazine; or flower garden displayed. Conducted by Samual Curtis. The descriptions by William Jackson Hooker.
London, Samual Curtis, 1836, volume 63, plate 3525. Hand-coloured engraving by Joseph Swan (sheet 160 x 253 mm). Text enclosed.
€ 60
The first and most important botanical magazine made up of ‘figures’ of plants and short descriptions. Provides a storehouse of exotics, paralleling the indigenous plants … (Hunt). A delightful work pictorially, never excelled as a periodical, most carefully coloured and a source of lasting interest and information (Dunthorne). Started by William Curtis in 1787 publication still continues.
* Pritzel 2007; Dunthorne 88; Nissen BBI 2350; Great flower books pp. 83-84; Hunt 689; Henrey 472; Stafleu & Cowan 1290.