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Paeoniaceae |
Paeonia tenuifolia From: Flora. Afbeeldingen en beschrijvingen van boomen, heesters, éénjarige planten, enz., voorkomende in de Nederlandsche tuinen by Heinrich Witte. |
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| Paeoniaceae - Paeonia arborea Elizabeth (Casoretti) From: Nederlandsche flora en pomona beschreven en uitgegeven door het bestuur der Pomologische Vereeniging te Boskoop, by K.J.W. Ottolander, A. Koster & C. de Vos (editors). Groningen, J.B. Wolters, [1875-] 1876-1879, plate 81. Chromolithograph by A.J. Wendel (sheet 251 x 322 mm). Text enclosed. € 90
The beautiful colour-plates were lithographed in Belgium by G. Severyns. They depict
flowers and fruit then growing in The Netherlands. Publication started in
1875 on the initiative of the Pomological Society at Boskoop. * Nissen BBI 1474. |
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| Paeoniaceae - Paeonia albiflora x whitleyi From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1889, July - December, volume 36, plate 708. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 287 x 223 mm). Text enclosed. € 110
All gardeners owe an infinite debt of
gratitude to William Robinson - founder of The Garden (1871-1927) and
Flora and Sylva (1903-05), and author of The English Flower Garden
(1883, etc.) and other works - who helped to break the tyranny of formal bedding
and, like Ruskin, drew attention to the beauties of the wild garden. Among the
artists whom he employed was Henry Moon, who struck a new and personal, if not
entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880
Henry George Moon’s plant portraits dominated the pages of The Garden, a
popular horticultural publication. Renowned for his lifelike paintings of
orchids, Moon appealed to Robinson because of his ability to sketch flowers in a
graceful, naturalistic style. The subtle colourings of his paintings and simple
arrangement of flowers were very unlike the more stylised renderings that
appeared in competitors’ publications. The beautiful colour-plates were
lithographed and printed by the Belgian firm G. Severeyns and its successor J.L.
Goffart, notable for their craftmanship.* Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10. |
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| Paeoniaceae - Paeonia albiflora [?] - Paeonia edulis
x potsii sub x hybrida delachii From: Annales de la Société royale d’Agriculture et de Botanique de Gand, Journal d’horticulture by Charles Morren (editor). Gand [Gent], Local de la Société (Casino), etc., 1849, volume 5, plate 265. Chromolithograph by Léon Bernard finished by hand (sheet 170 x 257 mm). Text enclosed. € 55
Belgian horticultural journal, published from 1845-1849 by the Royal Agricultural and
Botanical Society of Gent, organizer of the famous flower shows in
Gent, Gentse Floraliën, since 1809. Started and edited by Charles
Morren at the same time as the more successful competitor Flore des
serres et des jardins de l’Europe of the nurseryman Louis van Houtte.* Nissen BBI 2212; Great flower books p. 84. |
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| Paeoniaceae - Paeonia albiflora Adrian From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1886, July - December, volume 30, plate 576. Chromolithograph (sheet 217 x 283 mm with light fold). Illustrated text enclosed. € 100
All gardeners owe an infinite debt of gratitude to William
Robinson - founder of The Garden (1871-1927) and Flora and Sylva
(1903-05), and author of The English Flower Garden (1883, etc.) and other
works - who helped to break the tyranny of formal bedding and, like Ruskin, drew
attention to the beauties of the wild garden. Among the artists whom he employed
was Henry Moon, who struck a new and personal, if not entirely healthy, note in
botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant
portraits dominated the pages of The Garden, a popular horticultural
publication. Renowned for his lifelike paintings of orchids, Moon appealed to
Robinson because of his ability to sketch flowers in a graceful, naturalistic
style. The subtle colourings of his paintings and simple arrangement of flowers
were very unlike the more stylised renderings that appeared in competitors’
publications. The beautiful colour-plates were lithographed and printed by the
Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their
craftmanship.* Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10. |
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| Paeoniaceae
- Paeonia foemina From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1833, volume 6, plate 503. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 267). Text enclosed. € 60
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the
French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned
to issue 800 plates but the regular publication was terminated with plate
544. Among those who worked under van Spaëndonck or Redouté, or who based
their style on the pure water-colour technique which Redouté learned from
his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b.
1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were
the equals of Redouté in technical skill, and given his opportunities
might have won the same renown. … Jaume-Saint-Hilaire was no less
distinguished as a botanist, and his introduction into France of
Polygonum tinctorum, which yields a valuable blue dye, was of
considerable importance (Blunt).* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943. |
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| Paeoniaceae - Paeonia mascula From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1833, volume 6, plate 502. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 267). Text enclosed. € 60
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the
French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned
to issue 800 plates but the regular publication was terminated with plate
544. Among those who worked under van Spaëndonck or Redouté, or who based
their style on the pure water-colour technique which Redouté learned from
his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b.
1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were
the equals of Redouté in technical skill, and given his opportunities
might have won the same renown. … Jaume-Saint-Hilaire was no less
distinguished as a botanist, and his introduction into France of
Polygonum tinctorum, which yields a valuable blue dye, was of
considerable importance (Blunt).* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943. |
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| Paeoniaceae - Paeonia moutan From: Flora. Afbeeldingen en beschrijvingen van boomen, heesters, éénjarige planten, enz., voorkomende in de Nederlandsche tuinen by Heinrich Witte. Groningen, J.B. Wolters, (1868), plate 50. Chromolithograph by G. Severeyns after Abraham Jacobus Wendel (sheet 224 x 302 mm). Text enclosed. € 175
Heinrich Witte, a Dutch gardener, was assistant curator and head-curator at the Leiden botanical
garden from 1855-1898. The decorative colour-plates depict the most attractive
Dutch garden plants, shrubs and trees of its time, finely lithographed by G.
Severeyns of Brussels after paintings by Abraham Jacobus Wendel.* Pritzel 10.366; Nissen BBI 2174; Stafleu & Cowan 18.090; Landwehr 213. |
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| Paeoniaceae - Paeonia moutan From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1833, volume 6, plate 501. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 267). Text enclosed. € 60
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the
French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned
to issue 800 plates but the regular publication was terminated with plate
544. Among those who worked under van Spaëndonck or Redouté, or who based
their style on the pure water-colour technique which Redouté learned from
his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b.
1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were
the equals of Redouté in technical skill, and given his opportunities
might have won the same renown. … Jaume-Saint-Hilaire was no less
distinguished as a botanist, and his introduction into France of
Polygonum tinctorum, which yields a valuable blue dye, was of
considerable importance (Blunt).* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943. |
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| Paeoniaceae - Paeonia moutan x lactea From: Neerland’s plantentuin. Afbeeldingen en beschrijvingen van sierplanten voor tuin en kamer by Cornelius Antoon Jan Abraham Oudemans (editor) and others. Groningen, J.B. Wolters, 1867, volume 3, plate 50. Chromolithograph (sheet 174 x 263 mm). Text enclosed. € 70
A beautifully illustrated monthly journal about
Dutch garden plants and indoor plants. Only 3 volumes were published. With
extensive contributions by its editor C.A.J.A. Oudemans and C. Glijm, J.B.
Groenewegen, J.H. Krelage and H. Witte. The decorative chromolithographed plates
by A.J. Wendel and others lithographed by Emrik & Binger, Marriën & Amand, G.
Severeyns, L. Stroobant, etc.* Jackson p. 479; Nissen BBI 1477; Stafleu & Cowan 7148. |
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| Paeoniaceae - Paeonia moutan Triomphe de Van der Maelen From: Neerland’s plantentuin. Afbeeldingen en beschrijvingen van sierplanten voor tuin en kamer by Cornelius Antoon Jan Abraham Oudemans (editor) and others. Groningen, J.B. Wolters, 1867, volume 3, plate 54. Chromolithograph (sheet 174 x 263 mm). Slight foxing. Text enclosed. € 65
A beautifully illustrated monthly journal about Dutch garden plants and indoor
plants. Only 3 volumes were published. With extensive contributions by its
editor C.A.J.A. Oudemans and C. Glijm, J.B. Groenewegen, J.H. Krelage and H.
Witte. The decorative chromolithographed plates by A.J. Wendel and others
lithographed by Emrik & Binger, Marriën & Amand, G. Severeyns, L. Stroobant,
etc.* Jackson p. 479; Nissen BBI 1477; Stafleu & Cowan 7148. |
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| Paeoniaceae - Paeonia peregrina From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1833, volume 6, plate 505. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 267). Text enclosed. € 60
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the
French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned
to issue 800 plates but the regular publication was terminated with plate
544. Among those who worked under van Spaëndonck or Redouté, or who based
their style on the pure water-colour technique which Redouté learned from
his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b.
1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were
the equals of Redouté in technical skill, and given his opportunities
might have won the same renown. … Jaume-Saint-Hilaire was no less
distinguished as a botanist, and his introduction into France of
Polygonum tinctorum, which yields a valuable blue dye, was of
considerable importance (Blunt).* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943. |
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| Paeoniaceae - Paeonia tenuifolia From: Flora. Afbeeldingen en beschrijvingen van boomen, heesters, éénjarige planten, enz., voorkomende in de Nederlandsche tuinen by Heinrich Witte. Groningen, J.B. Wolters, (1868), plate 46. Chromolithograph by G. Severeyns after Abraham Jacobus Wendel (sheet 224 x 302 mm). Text enclosed. € 190
Heinrich Witte, a Dutch gardener, was assistant curator and head-curator at the Leiden botanical
garden from 1855-1898. The decorative colour-plates depict the most attractive
Dutch garden plants, shrubs and trees of its time, finely lithographed by G.
Severeyns of Brussels after paintings by Abraham Jacobus Wendel.* Pritzel 10.366; Nissen BBI 2174; Stafleu & Cowan 18.090; Landwehr 213. |
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| Paeoniaceae - Paeonia tenuifolia From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1833, volume 6, plate 504. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 267). Text enclosed. € 60
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the
French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned
to issue 800 plates but the regular publication was terminated with plate
544. Among those who worked under van Spaëndonck or Redouté, or who based
their style on the pure water-colour technique which Redouté learned from
his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b.
1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were
the equals of Redouté in technical skill, and given his opportunities
might have won the same renown. … Jaume-Saint-Hilaire was no less
distinguished as a botanist, and his introduction into France of
Polygonum tinctorum, which yields a valuable blue dye, was of
considerable importance (Blunt).* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943. |
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| Paeoniaceae - Paeonia
Margaret Attwood + The Mikado From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1899, January - July, volume 55, plate 1204. Chromolithograph by J.L. Goffart after painting by H.G. Moon (sheet 223 x 285 mm). Text enclosed. € 85
All gardeners owe an infinite debt
of gratitude to William Robinson - founder of The Garden (1871-1927) and
Flora and Sylva (1903-05), and author of The English Flower Garden
(1883, etc.) and other works - who helped to break the tyranny of formal bedding
and, like Ruskin, drew attention to the beauties of the wild garden. Among the
artists whom he employed was Henry Moon, who struck a new and personal, if not
entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880
Henry George Moon’s plant portraits dominated the pages of The Garden, a
popular horticultural publication. Renowned for his lifelike paintings of
orchids, Moon appealed to Robinson because of his ability to sketch flowers in a
graceful, naturalistic style. The subtle colourings of his paintings and simple
arrangement of flowers were very unlike the more stylised renderings that
appeared in competitors’ publications. The beautiful colour-plates were
lithographed and printed by the Belgian firm G. Severeyns and its successor J.L.
Goffart, notable for their craftmanship.* Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10. |
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