Poaceae
B-G
Dactylis glomerata
From: Flora batava by Jan Kops and others.
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Poaceae - Briza media
From: Flora batava by Jan Kops and others.
Amsterdam, J.C. Sepp, 1822, volume 4, plate 256. Hand-coloured engraving (uncut, unpressed sheet 243 x 303 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Bromus giganteus
From: Flora batava by Jan Kops and others.
Amsterdam, J.C. Sepp, 1807, volume 2, plate 141. Hand-coloured engraving (sheet 225 x 278 mm). Text enclosed.
€ 100
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. Most plates in the first 3 volumes were illustrated by Georg Jacob Johann van Os. He was born in 1782 in The Hague and settled in Paris in 1826, where he worked for the Sèvres porcelain factory and was a painter of flower and fruit pieces, still lifes, etc. These early, finely engraved plates are exquisitely coloured by hand. Each plate is accompanied by a text in Dutch and French. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. The work was issued in 8vo and 4to. This plate is in the most desirable 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Sam Segal: Flowers and nature pp. 250-251 (Georgius Jacobus Johannes van Os); Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Bromus mollis
From: Flora batava by Jan Kops, Herman Christiaan van Hall and others.
Amsterdam, J.C. Sepp, 1844, volume 8, plate 592. Hand-coloured engraving (unpressed sheet 234 x 290 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Bromus mollis + Bromus sterilis
 From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1830, volume 3, plate 294. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Slightly browned around figures. Text enclosed.
€ 40
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt).
* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Poaceae - Bromus sterilis
 From: Flora rustica: exhibiting accurate figures of such plants as are either useful or injurious in husbandry by Thomas Martyn.
London, F.P. Nodder, 1794, volume 4, plate 125. Hand-coloured engraving by Frederick Polydore Nodder (sheet 135 x 216 mm). Text enclosed.
€ 30
Frederick Polydore Nodder (fl. 1777-1800), Botanic Painter to Queen Charlotte, made illustrations for Erasmus Darwin’s Botanic Garden, and a number of delicate little plates for T. Martyn’s Flora Rustica … (Blunt). The plates were not only drawn and engraved by Nodder, but also coloured under his direction. Thomas Martyn was professor of botany at Cambridge.
* Pritzel 5929; Dunthorne 196; Blunt p. 151; Nissen BBI 1291; Great flower books p. 67; Hunt 721; Henrey 1023; Stafleu & Cowan 5570.
Poaceae - Catabrosa aquatica
From: Flora batava by Jan Kops, Herman Christiaan van Hall and others.
Amsterdam, J.C. Sepp, 1844, volume 8, plate 593. Hand-coloured engraving (uncut, unpressed sheet 247 x 305 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Cynosurus cristatus
From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1832, volume 5, plate 406. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed.
€ 40
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt).
* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Poaceae - Dactylis glomerata
From: Flora batava by Jan Kops and others.
Amsterdam, J.C. Sepp, 1807, volume 2, plate 102. Hand-coloured engraving (sheet 225 x 278 mm). Text enclosed.
€ 110
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. Most plates in the first 3 volumes were illustrated by Georg Jacob Johann van Os. He was born in 1782 in The Hague and settled in Paris in 1826, where he worked for the Sèvres porcelain factory and was a painter of flower and fruit pieces, still lifes, etc. These early, finely engraved plates are exquisitely coloured by hand. Each plate is accompanied by a text in Dutch and French. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. The work was issued in 8vo and 4to. This plate is in the most desirable 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Sam Segal: Flowers and nature pp. 250-251 (Georgius Jacobus Johannes van Os); Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Dactylis glomerata
From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1832, volume 5, plate 408. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed.
€ 40
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt).
* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Poaceae - Deschampsia alpina - Aira laevigata
From: English botany; or, coloured figures of British plants by James Edward Smith.
London, R. Taylor, J. Sowerby, etc., 1810, volume 30, plate 2102. Hand-coloured engraving by James Sowerby (sheet 145 x 237 mm; impression 86 x 173 mm). Text enclosed.
€ 35
One of the most celebrated of all British floras is Sowerby’s English botany. This periodical publication, issued in 267 numbers, and published in thirty-six volumes between 1790 and 1814, contains 2,592 beautifully coloured illustrations of plants most of which are drawn and engraved by James Sowerby. The plates are accompanied by descriptive letterpress written by the eminent botanist James Edward Smith, … (Henrey II p. 141). James Sowerby, who was the first of several members of this family who became noted as authors and illustrators of books on natural history, lived from 1757-1822. He studied painting at the Royal Academy, and soon turned to botanical illustration. His first work was for William Curtis’s Flora londinensis and his Botanical magazine.
* Pritzel 8789; Dunthorne 291; Blunt pp. 190-192; Nissen BBI 2225; Great flower books p. 76; Hunt 717; Henrey 1366; Stafleu & Cowan 12.221.
Poaceae - Digitaria sanguinalis
From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1833, volume 6, plate 509. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed.
€ 40
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt).
* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Poaceae - Echinaria capitata
From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1833, volume 6, plate 507. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed.
€ 40
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt).
* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Poaceae - Echinochloa crus-galli
From: Flora batava by Jan Kops, Herman Christiaan van Hall and others.
Amsterdam, J.C. Sepp, 1832, volume 6, plate 436. Hand-coloured engraving (unpressed sheet 242 x 297 mm). Text enclosed.
€ 65
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Festuca arvernensis - Festuca glauca + Festica opvina
 From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire.
Paris, the author, 1830, volume 3, plate 293. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Slightly browned around figures. Text enclosed.
€ 40
Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt).
* Pritzel 4404; Dunthorne 160; Blunt pp. 180, 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Poaceae - Festuca bromoides
From: Flora batava by Jan Kops, Herman Christiaan van Hall and others.
Amsterdam, J.C. Sepp, 1832, volume 6, plate 452. Hand-coloured engraving (unpressed sheet 237 x 296 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Festuca duriuscula
From: Flora batava by Jan Kops and others.
Amsterdam, J.C. Sepp, 1822, volume 4, plate 271. Hand-coloured engraving (unpressed sheet 240 x 298 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Festuca elatior - Schedonorus elatior
From: Flora batava by Jan Kops, Herman Christiaan van Hall and others.
Amsterdam, J.C. Sepp, 1828, volume 5, plate 371. Hand-coloured engraving (unpressed sheet 240 x 300 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Festuca elatior - Festuca pratensis
From: Flora rustica: exhibiting accurate figures of such plants as are either useful or injurious in husbandry by Thomas Martyn.
London, F.P. Nodder, [1793], volume 3, plate 84. Hand-coloured engraving by Frederick Polydore Nodder (sheet 133 x 225 mm). Text enclosed.
€ 30
Frederick Polydore Nodder (fl. 1777-1800), Botanic Painter to Queen Charlotte, made illustrations for Erasmus Darwin’s Botanic Garden, and a number of delicate little plates for T. Martyn’s Flora Rustica … (Blunt). The plates were not only drawn and engraved by Nodder, but also coloured under his direction. Thomas Martyn was professor of botany at Cambridge.
* Pritzel 5929; Dunthorne 196; Blunt p. 151; Nissen BBI 1291; Great flower books p. 67; Hunt 721; Henrey 1023; Stafleu & Cowan 5570.
Poaceae - Glyceria aquatica - Poa aquatica
From: Flora batava by Jan Kops and others.
Amsterdam, J.C. Sepp, 1822, volume 4, plate 261. Hand-coloured engraving (uncut, unpressed sheet 243 x 303 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Glyceria fluitans
From: Flora batava by Jan Kops, Herman Christiaan van Hall and others.
Amsterdam, J.C. Sepp, 1844, volume 8, plate 601. Hand-coloured engraving (uncut, unpressed sheet 242 x 300 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Poaceae - Glyceria procumbens - Poa procumbens
From: Flora batava by Jan Kops, Herman Christiaan van Hall and others.
Amsterdam, J.C. Sepp, 1828, volume 5, plate 366. Hand-coloured engraving (unpressed sheet 239 x 299 mm). Text enclosed.
€ 60
The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format.
* Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
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