Ranunculaceae, botanical prints, Antiquariaat Jan Meemelink, antiquarian flower books + prints

		Ranunculaceae A-B
		*Anemone japonica* (+ 2 varieties) From: Flora. Afbeeldingen en beschrijvingen van boomen, heesters, éénjarige planten, enz., voorkomende in de Nederlandsche tuinen by Heinrich Witte.

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Ranunculaceae - 8 species From: Die Pflanzenwelt by Otto Warburg. Leipzig & Wien, Bibliographisches Institut, 1921, new impression, volume 2, plate 3. Chromolithograph with outlines and captions of figures on flimsie (170 x 250 mm). Text enclosed. € 30 * Stafleu & Cowan 16.668.
Ranunculaceae - Aconitum napellus From: Köhler’s Medizinal-Pflanzen in naturgetreuen Abbildungen mit kurz erläuterndem Texte. Atlas zur Pharmacopoea germanica, austriaca, belgica, danica, helvetica, hungarica, rossica, suecica, neerlandica, british pharmacopoeia, zum Codex medicamentarius, sowie zur Pharmacopoeia of the United States of America by Hermann Adolph Koehler. Gera-Utermhaus, Fr.Eugen Köhler, 1887, 1. edition, volume 1, plate 72. Chromolithographed plate (sheet 220 x 298 mm). Foxed. Text enclosed. € 60 Köhler’s magnum opus was published in parts from 1883-1898. The first volume was finished in 1887, eight years after his death. The set of three volumes with 283 colour-plates was a noteworthy achievement and included European plants of medicinal interest. From the botanical standpoint the finest and most useful series of illustrations of medicinal plants (Great flower books). The beautiful colour-plates after illustrations by Walther Müller and C.F. Schmidt, which were skillfully rendered in lithography by E. Günther. * Nissen BBI 1085; Great flower books p. 62; Stafleu & Cowan 3806.
Ranunculaceae - Aconitum napellus From: Medical botany by William Woodville. London, James Phillips, 1790, 1. edition, volume 1. Engraving (sheet 160 x 213 mm). Slight foxing. Text enclosed (partly in photocopy). € 30 William Woodville is noted for his early advocacy of the theory of vaccination and for these excellent volumes on Medical Botany (Hunt). This work contains systematic and general descriptions of all the plants in the catalogues of the materia medica published by the Royal Colleges of Physicians of London and Edinburgh, and is illustrated with excellent plates drawn and engraved by James Sowerby (Henrey). * Pritzel 10.398; Dunthorne 334; Great flower books p. 81; Hunt 716; Nissen BBI 2183; Henrey 1521 + I p. 30.
Ranunculaceae - Adonis vernalis From: Flora. Afbeeldingen en beschrijvingen van boomen, heesters, éénjarige planten, enz., voorkomende in de Nederlandsche tuinen by Heinrich Witte. Groningen, J.B. Wolters, (1868), plate 36. Chromolithograph by G. Severeyns after Abraham Jacobus Wendel (sheet 224 x 302 mm). Slight foxing. Text enclosed. € 130 Heinrich Witte, a Dutch gardener, was assistant curator and head-curator at the Leiden botanical garden from 1855-1898. The decorative colour-plates depict the most attractive Dutch garden plants, shrubs and trees of its time, finely lithographed by G. Severeyns of Brussels after paintings by Abraham Jacobus Wendel. * Pritzel 10.366; Stafleu & Cowan 18.090; Nissen BBI 2174; Landwehr 213.
Ranunculaceae - Adonis vernalis From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1891, January - June, volume 39, plate 797. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 283 x 218 mm). Text enclosed. € 75 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Ranunculaceae - Anemone apennina - Anemone ranunculoides From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1831, volume 4, plate 338. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed in photocopy. € 75 Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt). * Pritzel 4404; Dunthorne 160; Blunt & Stearn pp. 180 + 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Ranunculaceae - Anemone coronaria From: Flora. Afbeeldingen en beschrijvingen van boomen, heesters, éénjarige planten, enz., voorkomende in de Nederlandsche tuinen by Heinrich Witte. Groningen, J.B. Wolters, (1868), plate 51. Chromolithograph by G. Severeyns after Abraham Jacobus Wendel (sheet 224 x 302 mm). Text enclosed. € 175 Heinrich Witte, a Dutch gardener, was assistant curator and head-curator at the Leiden botanical garden from 1855-1898. The decorative colour-plates depict the most attractive Dutch garden plants, shrubs and trees of its time, finely lithographed by G. Severeyns of Brussels after paintings by Abraham Jacobus Wendel. * Pritzel 10.366; Nissen BBI 2174; Stafleu & Cowan 18.090; Landwehr 213.
*Ranunculaceae - Anemone coronaria* Gloire de Nantes + Ponceau + Mauve clair** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1886, July - December, volume 30, plate 564. Chromolithograph (sheet 217 x 283 mm). Illustrated text enclosed. € 130 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Ranunculaceae - Anemone decapetala - Anemone caroliniana From: The native flowers and ferns of the United States in their botanical, horticultural, and popular aspects by Thomas Meehan. Boston, L. Prang, 1879, volume 1, plate 42. Chromolithograph by Louis Prang after Alois Lunzer (sheet 173 x 253 mm). Foxed. Text enclosed. € 25 Thomas Meehan (1826-1901), a British-born nurseryman, was Kew gardener in 1846-1848; from 1853 at Germantown (Philadelphia). He was the editor of the Gardener’s monthly and the founder of Meehan’s monthly, a magazine of horticulture, botany, etc. The nice chromolithographed plates after paintings by Alois Lunzer and lithographed by Louis Prang, who published many books on natural history. * Nissen BBI 1331; Stafleu & Cowan 5783.
Ranunculaceae - Anemone hepatica From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, Émile Rodigas, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureaux de la Revue, 1876, volume 2, plate 12. Chromolithograph (sheet 251 x 160 mm). Text enclosed. € 30 Belgian monthly, published from 1875-1914 giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Ranunculaceae - Anemone japonica From: Annales de la Société royale d’Agriculture et de Botanique de Gand, Journal d’horticulture by Charles Morren (editor). Gand [Gent], Local de la Société (Casino), etc., 1847, volume 3, plate 108. Hand-coloured lithograph (sheet 168 x 257 mm). Text enclosed. € 50 Belgian horticultural journal, published from 1845-1849 by the Royal Agricultural and Botanical Society of Gent, organizer of the famous flower shows in Gent, Gentse Floraliën, since 1809. Started and edited by Charles Morren at the same time as the more successful competitor Flore des serres et des jardins de l’Europe of the nurseryman Louis van Houtte. * Great flower books p. 84; Nissen BBI 2212.
Ranunculaceae - Anemone japonica(+ 2 varieties) From: Flora. Afbeeldingen en beschrijvingen van boomen, heesters, éénjarige planten, enz., voorkomende in de Nederlandsche tuinen by Heinrich Witte. Groningen, J.B. Wolters, (1868), plate 6. Chromolithograph by G. Severeyns after Abraham Jacobus Wendel (sheet 224 x 302 mm). Slight stain in corner. Text enclosed. € 130 Heinrich Witte, a Dutch gardener, was assistant curator and head-curator at the Leiden botanical garden from 1855-1898. The decorative colour-plates depict the most attractive Dutch garden plants, shrubs and trees of its time, finely lithographed by G. Severeyns of Brussels after paintings by Abraham Jacobus Wendel. * Pritzel 10.366; Nissen BBI 2174; Stafleu & Cowan 18.090; Landwehr 213.
Ranunculaceae - Anemone japonica (varieties) From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1886, July - December, volume 30, plate 554. Chromolithograph (sheet 217 x 283 mm; slightly foxed). Text enclosed. € 90 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Ranunculaceae - Anemone narcissiflora From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1832, volume 5, plate 434. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed in photocopy. € 70 Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt). * Pritzel 4404; Dunthorne 160; Blunt & Stearn pp. 180 + 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Ranunculaceae - Anemone nemorosa From: Flora batava by Jan Kops and others. Amsterdam, J.C. Sepp, 1822, volume 4, plate 248. Hand-coloured engraving (uncut, unpressed sheet 243 x 300 mm). Text enclosed. € 90 The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format. * Pritzel 4822; Jackson p. 324; Great flower books p. 63; Nissen BBI 2247; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Ranunculaceae - Anemone nemorosa From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1832, volume 5, plate 433. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed. € 75 Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt). * Pritzel 4404; Dunthorne 160; Blunt & Stearn pp. 180 + 182; Nissen BBI 988; Great flower books p. 61; Stafleu & Cowan 3311; Johnston 943.
Ranunculaceae - Anemone nemorosa (varieties) From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1887, July - December, volume 32, plate 618. Chromolithograph by G. Severeyns after painting by H.G. Moon (sheet 220 x 283 mm). Illustrated text enclosed. € 110 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Ranunculaceae - Anemone nemorosa From: The native flowers and ferns of the United States in their botanical, horticultural, and popular aspects by Thomas Meehan. Boston, L. Prang, 1879, volume 1, plate 6. Chromolithograph by Louis Prang after Alois Lunzer (sheet 173 x 253 mm). Marginally stained and foxed. Text enclosed. € 25 Thomas Meehan (1826-1901), a British-born nurseryman, was Kew gardener in 1846-1848; from 1853 at Germantown (Philadelphia). He was the editor of the Gardener’s monthly and the founder of Meehan’s monthly, a magazine of horticulture, botany, etc. The nice chromolithographed plates after paintings by Alois Lunzer and lithographed by Louis Prang, who published many books on natural history. * Nissen BBI 1331; Stafleu & Cowan 5783.
Ranunculaceae - Anemone patens x nuttalliana From: The native flowers and ferns of the United States in their botanical, horticultural, and popular aspects by Thomas Meehan. Boston, L. Prang, 1879, volume 1, plate 13. Chromolithograph by Louis Prang after Alois Lunzer (sheet 173 x 253 mm). Marginally slightly stained and foxed. Text enclosed. € 25 Thomas Meehan (1826-1901), a British-born nurseryman, was Kew gardener in 1846-1848; from 1853 at Germantown (Philadelphia). He was the editor of the Gardener’s monthly and the founder of Meehan’s monthly, a magazine of horticulture, botany, etc. The nice chromolithographed plates after paintings by Alois Lunzer and lithographed by Louis Prang, who published many books on natural history. * Nissen BBI 1331; Stafleu & Cowan 5783.
Ranunculaceae - Anemone pulsatilla From: Dictionnaire de botanique by Henri Ernest Baillon and others. Paris, Hachette, 1876, volume 1. Chromolithograph by Portail after Auguste Faguet (sheet 230 x 310 mm). Slightly browned. € 45 Auguste Faguet produced delicate botanical wood-engravings of great accuracy for the works of Henri Ernest Baillon. For the Dictionnaire de botanique, published from 1876-1892 in 34 fascicles, he also made 32 fine chromolithographed plates, which came out with each fascicle without additional text (2 contained no plate). * Nissen BBI 61 + p. 150; Stafleu & Cowan 253.
Ranunculaceae - Anemone pulsatilla From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1887, July - December, volume 32, plate 623. Chromolithograph by G. Severeyns after painting by Miss E. Lowe (sheet 220 x 283 mm). Illustrated text enclosed. € 75 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. … (Blunt & Stearn). The beautiful colour-plates of The Garden, a popular horticultural publication, were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Ranunculaceae - Anemone ranunculoides From: Flora batava by Jan Kops, Herman Christiaan van Hall and others. Amsterdam, J.C. Sepp, 1832, volume 6, plate 460. Hand-coloured engraving (unpressed sheet 242 x 297 mm). Text enclosed. € 90 The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision (later assisted by Herman Christiaan van Hall, Friedrich Anton Wilhelm Miquel and Johannes Everhardus van der Trappen). When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format. * Pritzel 4822; Jackson p. 324; Great flower books p. 63; Nissen BBI 2247; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the koninklijke Bibliotheek 70.
Ranunculaceae - Anemone sylvestris - Anemone alba From: La flore et la pomone françaises, ou histoire et figures en couleur, des fleurs et des fruits de France ou naturalisés sur le sol français by Jean Henri Jaume Saint-Hilaire. Paris, the author, 1831, volume 4, plate 337. Unsigned stipple-engraving in colour by Jean Henri Jaume Saint-Hilaire finished by hand (uncut and unbound sheet 175 x 265). Text enclosed. € 75 Very rare work, which was published in parts from 1828-1833 in 6 volumes by the French botanist and artist Jaume Saint-Hilaire (1772-1845). It was planned to issue 800 plates but the regular publication was terminated with plate 544. Among those who worked under van Spaëndonck or Redouté, or who based their style on the pure water-colour technique which Redouté learned from his master, may be mentioned Turpin, Poiteau, Bessa, Mme Vincent (b. 1786), Jaume-Saint-Hilaire, Chazal and Prêtre. Most of these artists were the equals of Redouté in technical skill, and given his opportunities might have won the same renown. … Jaume-Saint-Hilaire was no less distinguished as a botanist, and his introduction into France of Polygonum tinctorum, which yields a valuable blue dye, was of considerable importance (Blunt). * Pritzel 4404; Dunthorne 160; Blunt & Stearn pp. 180 + 182; Great flower books p. 61; Nissen BBI 988; Stafleu & Cowan 3311; Johnston 943.
Ranunculaceae - Anemone thalictroides - Thalictrum anemonoides From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, Émile Rodigas, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1886, volume 12, plate 17. Chromolithograph (sheet 165 x 258 mm). Text enclosed. € 40 Belgian monthly, published from 1875-1914 giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Ranunculaceae - Anemone thalictroides - Thalictrum anemonoides x flore pleno From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1856, volume 11, plate 1155. Chromolithograph finished by hand (sheet 155 x 240 mm). Text enclosed. € 50 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Ranunculaceae - Anemone thalictroides - Thalictrum anemonoides From: The native flowers and ferns of the United States in their botanical, horticultural, and popular aspects by Thomas Meehan. Boston, L. Prang, 1879, volume 2, plate 30. Chromolithograph by Louis Prang after Alois Lunzer (sheet 174 x 254 mm). Slight foxing. Text enclosed. € 30 Thomas Meehan (1826-1901), a British-born nurseryman, was Kew gardener in 1846-1848; from 1853 at Germantown (Philadelphia). He was the editor of the Gardener’s monthly and the founder of Meehan’s monthly, a magazine of horticulture, botany, etc. The nice chromolithographed plates after paintings by Alois Lunzer and lithographed by Louis Prang, who published many books on natural history. * Nissen BBI 1331; Stafleu & Cowan 5783.
Ranunculaceae - Aquilegia chrysantha From: Dictionnaire de botanique by Henri Ernest Baillon and others. Paris, Hachette, 1886, volume 2. Chromolithograph by Portail after Auguste Faguet (sheet 230 x 310 mm). Slight foxing. € 60 Auguste Faguet produced delicate botanical wood-engravings of great accuracy for the works of Henri Ernest Baillon. For the Dictionnaire de botanique, published from 1876-1892 in 34 fascicles, he also made 32 fine chromolithographed plates, which came out with each fascicle without additional text (2 contained no plate). * Nissen BBI 61 & p. 150; Stafleu & Cowan 253.
Ranunculaceae - Aquilegia chrysantha - Aquilegia aurea From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, Émile Rodigas, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureaux de la Revue, 1876, volume 2, plate 10. Chromolithograph (sheet 160 x 251 mm). Text enclosed. € 40 Belgian monthly, published from 1875-1914 giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Ranunculaceae - Aquilegia chrysantha (varieties) From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1893, volume 19, plate 14. Chromolithograph (sheet 157 x 244 mm). Text enclosed. € 45 Belgian monthly, published from 1875-1914, giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Ranunculaceae - Aquilegia chrysantha From: The native flowers and ferns of the United States in their botanical, horticultural, and popular aspects by Thomas Meehan. Boston, L. Prang, 1879, volume 1, plate 7. Chromolithograph by Louis Prang after Alois Lunzer (sheet 173 x 253 mm). Marginally stained and slightly foxed. Text enclosed. € 25 Thomas Meehan (1826-1901), a British-born nurseryman, was Kew gardener in 1846-1848; from 1853 at Germantown (Philadelphia). He was the editor of the Gardener’s monthly and the founder of Meehan’s monthly, a magazine of horticulture, botany, etc. The nice chromolithographed plates after paintings by Alois Lunzer and lithographed by Louis Prang, who published many books on natural history. * Nissen BBI 1331; Stafleu & Cowan 5783.
Ranunculaceae - Aquilegia formosa - Aquilegia eximia From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1857, volume 12, plate 1188. Chromolithograph finished by hand (sheet 162 x 242 mm). Text enclosed. € 45 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Ranunculaceae - Aquilegia formosa From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1853, volume 8, plate 795. Chromolithograph by L. Stroobant finished by hand (sheet 159 x 238 mm). Text enclosed. € 60 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Ranunculaceae - Aquilegia glandulosa - Aquilegia jucunda From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1849, volume 5, plate 535. Hand-coloured lithograph (sheet 160 x 240 mm). Slight offset. Text enclosed. € 45 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Ranunculaceae - Aquilegia moorcroftiana - Aquilegia kanaoriensis Asclepiadaceae - Hoya carnosa - Hoya variegata From: La Belgique horticole, journal des jardins et des vergers by Charles François Antoine Morren. Liège [Luik], La Direction Générale, 1853, volume 3. Hand-coloured lithograph by G. Severeyns (sheet 152 x 236 mm). Text by W.-H. de Vriese and Morren enclosed. € 75 Important Belgian periodical. A total of 35 volumes were produced from 1851-1885 by the Morrens, father and son. Charles François Antoine was director of the Jardin botanique de l’Université de Liège and professor of botany and his son, Charles Jacques Édouard, was also director of the Jardin botanique de l’Université de Liège and specialist on Bromeliaceae. * Nissen BBI 2218; Stafleu & Cowan III pp. 592-593.
Ranunculaceae - Aquilegia turczaninovii - Aquilegia leptoceras From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1847, volume 3, plate 296. Hand-coloured lithograph (sheet 160 x 235 mm). Text enclosed. € 75 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Nissen BBI 2254; Great flower books p. 84; Stafleu & Cowan 15.921.
Ranunculaceae - Aquilegia macrantha From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1849, volume 5, plate 531. Hand-coloured lithograph (sheet 160 x 240 mm). Slight offset. Text enclosed. € 50 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Ranunculaceae - Aquilegia skinneri From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1845, volume 1. Hand-coloured lithograph (sheet 160 x 238 mm). Text enclosed. € 60 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
Ranunculaceae - Aquilegia (varieties) From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1884, July - December, volume 26, plate 461. Chromolithograph (sheet 217 x 280 mm). Illustrated text enclosed. € 95 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firms G. Severeyns and J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
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