Rosaceae, botanical prints, Antiquariaat Jan Meemelink, antiquarian flower books + prints

		Rosaceae Q-Ro1
		*Rosa carolina* + *Rosa spinosissima* - Rosa carolina fragrans, foliis mediotenus serratis & Rosa Sanguisorbae majoris folio, fructu longo pendulo From: Hortus elthamensis seu plantarum rariorum quas in horto suo Elthami in Cantio coluit vir ornatissimus et praestantissimus Jacobus Sherard ... by Johann Jacob Dillenius.

INDEX <BACK NEXT> A-L · Ma1 · Ma2 · Ma3 · Me-Po · Pr1 · Pr2 · Py1 · Py2 · Q-Ro1 · Ro2 · Ro3 · Ru · S-Z
Rosaceae - Quillaja saponaria From: Köhler’s Medizinal-Pflanzen in naturgetreuen Abbildungen mit kurz erläuterndem Texte. Atlas zur Pharmacopoea germanica, austriaca, belgica, danica, helvetica, hungarica, rossica, suecica, neerlandica, british pharmacopoeia, zum Codex medicamentarius, sowie zur Pharmacopoeia of the United States of America by Hermann Adolph Koehler. Gera-Utermhaus, Fr.Eugen Köhler, 1887, 1. edition, volume 2, plate 189. Chromolithographed plate (sheet 219 x 299 mm). Text enclosed. € 60 Köhler’s magnum opus was published in parts from 1883-1898. The first volume was finished in 1887, eight years after his death. The set of three volumes with 283 colour-plates was a noteworthy achievement and included European plants of medicinal interest. From the botanical standpoint the finest and most useful series of illustrations of medicinal plants (Great flower books). The beautiful colour-plates after illustrations by Walther Müller and C.F. Schmidt, which were skillfully rendered in lithography by E. Günther. * Nissen BBI 1085; Great flower books p. 62; Stafleu & Cowan 3806.
Rosaceae - Rhodotypos kerrioides From: La Belgique horticole, journal des jardins et des vergers founded by Charles François Antoine Morren and edited by Charles Jacques Édouard Morren. Liège [Luik], La Direction Générale, 1869, volume 19, plate 16. Chromolithograph (sheet 156 x 250 mm). White colour partly oxidized. Text enclosed. € 40 Important Belgian periodical. A total of 35 volumes were produced from 1851-1885 by the Morrens, father and son. Charles François Antoine was director of the Jardin botanique de l’Université de Liège and professor of botany and his son, Charles Jacques Édouard, was also director of the Jardin botanique de l’Université de Liège and specialist on Bromeliaceae. * Nissen BBI 2218; Stafleu & Cowan pp. 592-593.
Rosaceae - Rosa canina From: Dictionnaire des sciences naturelles. Planches … Botanique classée d’après la méthode naturelle de M. Antoine-Laurent de Jussieu by Pierre Jean François Turpin. Paris & Strasbourg, F.G. Levrault, 1816-1829, volume 5, plate 241. Hand-coloured engraving after Turpin (sheet 120 x 213 mm). € 150 Pierre Jean François Turpin (1775-1840) was possibly the greatest botanical genius of all the French botanical painters of his day … In particular, his drawings of botanical details have rarely been surpassed. ... (Blunt). With Pierre-Antoine Poiteau he collaborated in some of the most important botanical publications of the early years of the nineteenth century. In the finely illustrated botanical part of the Dictionnaire … the plates by several engravers were issued uncoloured or coloured. * Pritzel 10.722; Nissen BBI 2239; Blunt p. 180 ff.; Stafleu & Cowan 1293 & 15.384.
Rosaceae - Rosa canina From: Flora batava by Jan Kops and others. Amsterdam, J.C. Sepp, 1822, volume 4, plate 309. Hand-coloured engraving (unpressed sheet 237 x 293 mm). Text enclosed. € 160 The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. Each plate is accompanied by a text in Dutch and French. The work was issued in 8vo and 4to. This plate is in the most desirable large 4to format. * Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Johnston 663; A hundred highlights from the Koninklijke Bibliotheek 70.
Rosaceae - Rosa carolina From: The native flowers and ferns of the United States in their botanical, horticultural, and popular aspects by Thomas Meehan. Boston, L. Prang, 1879, volume 1, plate 43. Chromolithograph by Louis Prang after Alois Lunzer (sheet 173 x 253 mm). Slight foxing. Text enclosed. € 35 Thomas Meehan (1826-1901), a British-born nurseryman, was Kew gardener in 1846-1848; from 1853 at Germantown (Philadelphia). He was the editor of the Gardener’s monthly and the founder of Meehan’s monthly, a magazine of horticulture, botany, etc. The nice chromolithographed plates after paintings by Alois Lunzer and lithographed by Louis Prang, who published many books on natural history. * Nissen BBI 1331; Stafleu & Cowan 5783.
Rosaceae - Rosa carolina + *Rosa spinosissima* - Rosa carolina fragrans, foliis mediotenus serratis & Rosa Sanguisorbae majoris folio, fructu longo pendulo From: Hortus elthamensis seu plantarum rariorum quas in horto suo Elthami in Cantio coluit vir ornatissimus et praestantissimus Jacobus Sherard ... by Johann Jacob Dillenius. London, the author, 1732. Engraving (uncut, unpressed sheet 300 x 485 mm; impression 200 x 263 mm). Text enclosed. € 160 James Sherard (1666-1738), botanist and apothecary, had gardens famous for rare plants at Eltham, south of Greenwich. Dillenius made the gardens memorable through excellent illustrations, drawn and engraved by himself. They were sufficiently accurate to be of considerable service to Linnaeus (Hunt). * Pritzel 2285; Dunthorne 94; Nissen BBI 492; Great flower books p. 55; Hunt 637; Henrey 643; Stafleu & Cowan 1471.
Rosaceae - Rosa centifolia From: Darstellung und Beschreibung sämtlicher in der Pharmacopoea Borusica aufgeführten offizinellen Gewächse by Otto Carl Berg & Carl Friedrich Schmidt. Leipzig, Arthur Felix, [1858-1863], 1. edition, volume 4, plate 34e. Hand-coloured lithograph (sheet 215 x 278 mm). Reverse side browned. Text enclosed. € 300 Berg was professor of pharmaceutical botany at Berlin University. Schmidt both drew and lithographed the plates. He was a prolific artist who illustrated many of the German botanical works of the 19th century. Jackson describes this work, a survey of plants used in the Prussian pharmacopoeia, as A thoroughly good book, probably the very best of its class; both in text and illustrations. * Pritzel 646; Jackson p. 203*; Nissen BBI 139; Stafleu & Cowan 10.873.
Rosaceae - Rosa centifolia From: Köhler’s Medizinal-Pflanzen in naturgetreuen Abbildungen mit kurz erläuterndem Texte. Atlas zur Pharmacopoea germanica, austriaca, belgica, danica, helvetica, hungarica, rossica, suecica, neerlandica, british pharmacopoeia, zum Codex medicamentarius, sowie zur Pharmacopoeia of the United States of America by Hermann Adolph Koehler. Gera-Utermhaus, Fr.Eugen Köhler, 1887, 1. edition, volume 2, plate 124. Chromolithographed plate (sheet 219 x 299 mm). Slight foxing. Text enclosed. € 110 Köhler’s magnum opus was published in parts from 1883-1898. The first volume was finished in 1887, eight years after his death. The set of three volumes with 283 colour-plates was a noteworthy achievement and included European plants of medicinal interest. From the botanical standpoint the finest and most useful series of illustrations of medicinal plants (Great flower books). The beautiful colour-plates after illustrations by Walther Müller and C.F. Schmidt, which were skillfully rendered in lithography by E. Günther. * Nissen BBI 1085; Great flower books p. 62; Stafleu & Cowan 3806.
Rosaceae - Rosa gallica - Rosa provincialis From: The botanical magazine; or flower-garden displayed by William Curtis. London, 1798, volume 12, plate 407. Hand-coloured engraving (sheet 143 x 237 mm). Text enclosed. € 50 The first and most important botanical magazine made up of 'figures' of plants and short descriptions. Provides a storehouse of exotics, paralleling the indigenous plants … (Hunt). A delightful work pictorially, never excelled as a periodical, most carefully coloured and a source of lasting interest and information (Dunthorne). Started by William Curtis in 1787 publication still continues. * Pritzel 2007; Dunthorne 88; Great flower books pp. 83-84; Hunt 689; Nissen BBI 2350; Henrey 472; Stafleu & Cowan 1290.
Rosaceae - Rosa gallica From: Curtis’s botanical magazine; or flower garden displayed. London, 1816, volume 43, plate 1794. Hand-coloured engraving (sheet 143 x 237 mm). Text enclosed. € 85 The first and most important botanical magazine made up of 'figures' of plants and short descriptions. Provides a storehouse of exotics, paralleling the indigenous plants … (Hunt). A delightful work pictorially, never excelled as a periodical, most carefully coloured and a source of lasting interest and information (Dunthorne). Started by William Curtis in 1787 publication still continues. * Pritzel 2007; Dunthorne 88; Great flower books pp. 83-84; Hunt 689; Nissen BBI 2350; Henrey 472; Stafleu & Cowan 1290.
Rosaceae - Rosa indica - Rosa bengalensis Ducher From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1887, volume 13, plate 14. Chromolithograph (sheet 167 x 253 mm). Text enclosed. € 35 Belgian monthly, published from 1875-1914, giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Rosaceae - Rosa indica (variety) From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1887, July - December, volume 32, plate 609. Chromolithograph by G. Severeyns after painting by Miss E.A. Lowe (sheet 220 x 283 mm). Text enclosed. € 95 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. … (Blunt & Stearn). The beautiful colour-plates of The Garden, a popular horticultural publication, were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
Rosaceae - Rosa involuta From: English botany; or, coloured figures of British plants by James Edward Smith. London, R. Taylor, J. Sowerby, etc., 1809, volume 29, plate 2068. Hand-coloured engraving by James Sowerby (sheet 145 x 237 mm; impression 86 x 139 mm). Text enclosed. € 75 One of the most celebrated of all British floras is Sowerby’s English botany. This periodical publication, issued in 267 numbers, and published in thirty-six volumes between 1790 and 1814, contains 2,592 beautifully coloured illustrations of plants most of which are drawn and engraved by James Sowerby. The plates are accompanied by descriptive letterpress written by the eminent botanist James Edward Smith, … (Henrey II p. 141). James Sowerby, who was the first of several members of this family who became noted as authors and illustrators of books on natural history, lived from 1757-1822. He studied painting at the Royal Academy, and soon turned to botanical illustration. His first work was for William Curtis’s Flora Londinensis and his Botanical magazine. * Pritzel 8789; Dunthorne 291; Blunt pp. 190-192; Nissen BBI 2225; Great flower books p. 76; Hunt 717; Henrey 1366; Stafleu & Cowan 12.221.
Rosaceae - Rosa lucida From: The native flowers and ferns of the United States in their botanical, horticultural, and popular aspects by Thomas Meehan. Boston, L. Prang, 1879, volume 2, plate 9. Chromolithograph by Louis Prang after Alois Lunzer (sheet 174 x 254 mm). Slight foxing. Text enclosed. € 35 Thomas Meehan (1826-1901), a British-born nurseryman, was Kew gardener in 1846-1848; from 1853 at Germantown (Philadelphia). He was the editor of the Gardener’s monthly and the founder of Meehan’s monthly, a magazine of horticulture, botany, etc. The nice chromolithographed plates after paintings by Alois Lunzer and lithographed by Louis Prang, who published many books on natural history. * Nissen BBI 1331; Stafleu & Cowan 5783.
Rosaceae - Rosa moschata From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1895, January - July, volume 47, plate 998. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 223 x 285 mm). Text enclosed. € 150 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa sempervirens* Félicité-Perpétue** From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1890, volume 16, plate 18. Chromolithograph (sheet 158 x 245 mm). Text enclosed. € 70 Belgian monthly, published from 1875-1914, giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
Rosaceae - Rosa sempervirens - Rosa sempervirens Jungermanni From: Hortus elthamensis seu plantarum rariorum quas in horto suo Elthami in Cantio coluit vir ornatissimus et praestantissimus Jacobus Sherard ... by Johann Jacob Dillenius. London, the author, 1732. Engraving by the author (uncut, unpressed sheet 300 x 485 mm; impression 199 x 263 mm). Text enclosed in photocopy. € 120 James Sherard (1666-1738), botanist and apothecary, had gardens famous for rare plants at Eltham, south of Greenwich. Dillenius made the gardens memorable through excellent illustrations, drawn and engraved by himself. They were sufficiently accurate to be of considerable service to Linnaeus (Hunt). * Pritzel 2285; Dunthorne 94; Great flower books p. 55; Hunt 637; Nissen BBI 492; Henrey 643; Stafleu & Cowan 1471.
Rosaceae - Rosa spinosissima From: Flora batava by Jan Kops and others. Amsterdam, J.C. Sepp, 1807, volume 2, plate 96. Hand-coloured engraving (sheet 225 x 278 mm). Text enclosed. € 300 The Flora batava, a monumental work forming a beautifully illustrated survey of all indigenous plants in the Netherlands. It was started in 1800 by Jan Kops, a Dutch agronomist and professor of botany at Utrecht. The first 10 volumes constitute all that was prepared and issued under his supervision. When finished at last in 1934, Willem Jan Lütjeharms was the editor for volume 28, in which he concludes that this work has ended now and that publication took longer than any comparable foreign flora: De Flora Batava heeft langer geleefd dan een der met dit werk vergelijkbare buitenlandsche plaatwerken. The long publication period reflects the change in the technique of its illustrations. Initially copper-engravings were used, followed by lithographs, all coloured by hand, but from volume 25 colour-printing was gradually introduced. Also several artists were involved, but the plates are not signed, nor much information is given about them. Most plates in the first 3 volumes were illustrated by Georg Jacob Johann van Os. He was born in 1782 in The Hague and settled in Paris in 1826, where he worked for the Sèvres porcelain factory and was a painter of flower and fruit pieces, still lifes, etc. These early, finely engraved plates are exquisitely coloured by hand. Each plate is accompanied by a text in Dutch and French. The first publisher, J.C. Sepp en Zoon, was renowned for its scientific colour-plate books. The work was issued in 8vo and 4to. This plate is in the most desirable 4to format. * Pritzel 4822; Jackson p. 324; Nissen BBI 2247; Great flower books p. 63; Landwehr 60; Stafleu & Cowan 3874; Sam Segal: Flowers and nature pp. 250-251 (Georgius Jacobus Johannes van Os); Johnston 663; A hundred highlights from the Koninklijke Bibliotheek 70.
INDEX <BACK NEXT> A-L · Ma1 · Ma2 · Ma3 · Me-Po · Pr1 · Pr2 · Py1 · Py2 · Q-Ro1 · Ro2 · Ro3 · Ru · S-Z