Rosaceae, botanical prints, Antiquariaat Jan Meemelink, antiquarian flower books + prints

		Rosaceae Ro3
		*Rosa Rêve d’Or* From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, August van Geert & Hubert J. van Hulle (editors).

INDEX <BACK NEXT> A-L · Ma1 · Ma2 · Ma3 · Me-Po · Pr1 · Pr2 · Py1 · Py2 · Q-Ro1 · Ro2 · Ro3 · Ru · S-Z
*Rosaceae - Rosa* Comtesse de Nadaillac** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1889, July - December, volume 36, plate 723. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 223 x 287 mm). Text enclosed. € 135 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa* Maréchal Niel** From: Nederlandsche flora en pomona beschreven en uitgegeven door het bestuur der Pomologische Vereeniging te Boskoop, by K.J.W. Ottolander, A. Koster & C. de Vos (editors). Groningen, J.B. Wolters, [1875-] 1876-1879, plate 68. Chromolithograph finished by hand (sheet 238 x 300 mm with library perforation stamp). Text enclosed. € 75 The beautiful colour-plates were lithographed in Belgium by G. Severyns after paintings by Abraham Jacobus Wendel. They depict flowers and fruit then growing in The Netherlands. Publication started in 1875 on the initiative of the Pomological Society at Boskoop. * Nissen BBI 1474.
*Rosaceae - Rosa* Her Majesty** From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1887, volume 13, plate 18. Chromolithograph (sheet 167 x 253 mm). Text enclosed. € 40 Belgian monthly, published from 1875-1914, giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
*Rosaceae - Rosa* Marguérite Lecureux-Fraipont + Noisette Eudoxie** From: La Belgique horticole, journal des jardins et des vergers by Charles François Antoine Morren. Liège [Luik], La Direction Générale, 1853, volume 3. Hand-coloured lithograph by G. Severeyns (sheet 152 x 236 mm). Slight offset. Text enclosed. € 60 Important Belgian periodical. A total of 35 volumes were produced from 1851-1885 by the Morrens, father and son. Charles François Antoine was director of the Jardin botanique de l’Université de Liège and professor of botany and his son, Charles Jacques Édouard, was also director of the Jardin botanique de l’Université de Liège and specialist on Bromeliaceae. * Nissen BBI 2218; Stafleu & Cowan III pp. 592-593.
*Rosaceae - Rosa* Merveille de Lyon** From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, Émile Rodigas, August van Geert & H.J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1886, volume 12, plate 15. Chromolithograph (sheet 165 x 258 mm). Text enclosed. € 40 Belgian monthly, published from 1875-1914 giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
*Rosaceae - Rosa* Reine Olga de Wurtemburg + Paul’s Single White Perpetual** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1886, January - June, volume 29, plate 526. Chromolithograph (sheet 217 x 280 mm). Text enclosed. € 100 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa* Anna Olivier** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1891, January - June, volume 39, plate 790. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 218 x 283 mm with light fold in lower margin). Text enclosed. € 135 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa* Madame Oswald de Kerchove** From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, Émile Rodigas, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureaux de la Revue, 1879, volume 5, plate 10. Chromolithograph (sheet 167 x 251 mm). Text enclosed. € 80 Belgian monthly, published from 1875-1914 giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent.
*Rosaceae - Rosa* La Comtesse Ouvaroff** From: La Belgique horticole, journal des jardins et des vergers founded by Charles François Antoine Morren and edited by Charles Jacques Édouard Morren. Liège [Luik], La Direction Générale, 1863, volume 13, plate 15. Chromolithograph by L. Severeyns-Michel finished by hand (sheet 155 x 242 mm). Text enclosed. € 70 Important Belgian periodical. A total of 35 volumes were produced from 1851-1885 by the Morrens, father and son. Charles François Antoine was director of the Jardin botanique de l’Université de Liège and professor of botany and his son, Charles Jacques Édouard, was also director of the Jardin botanique de l’Université de Liège and specialist on Bromeliaceae. * Nissen BBI 2218; Stafleu & Cowan pp. 592-593.
*Rosaceae - Rosa* Perle de Lyon** From: La Belgique horticole, journal des jardins et des vergers founded by Charles François Antoine Morren and edited by Charles Jacques Édouard Morren. Liège [Luik], La Direction Générale, 1873, volume 23, plate 3. Chromolithograph finished by hand (sheet 162 x 250 mm). Text enclosed. € 60 Important Belgian periodical. A total of 35 volumes were produced from 1851-1885 by the Morrens, father and son. Charles François Antoine was director of the Jardin botanique de l’Université de Liège and professor of botany and his son, Charles Jacques Édouard, was also director of the Jardin botanique de l’Université de Liège and specialist on Bromeliaceae. * Nissen BBI 2218; Stafleu & Cowan pp. 592-593.
*Rosaceae - Rosa* Jean Pernet** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1889, July - December, volume 36, plate 731. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 287 x 223 mm). Text enclosed. € 130 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa* Pimprenelle marbrée d'Enghien** From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1850, volume 6, plate 580. Hand-coloured lithograph (sheet 160 x 239 mm). Text enclosed. € 80 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
*Rosaceae - Rosa* Innocente Pirola** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1889, July - December, volume 36, plate 729. Chromolithograph by Guillaume Severeyns after painting by H.G. Moon (sheet 223 x 287 mm). Text enclosed. € 125 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa* Président Sénélar** From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, Émile Rodigas, August van Geert & H.J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1883, volume 9, plate 9. Chromolithograph (sheet 167 x 252 mm). Text enclosed. € 60 Belgian monthly, published from 1875-1914 giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent.
*Rosaceae - Rosa* Le Prince noir** From: La Belgique horticole, journal des jardins et des vergers founded by Charles François Antoine Morren and edited by Charles Jacques Édouard Morren. Liège [Luik], La Direction Générale, 1867, volume 17, plate 3. Chromolithograph (sheet 162 x 249 mm). Text enclosed. € 60 Important Belgian periodical. A total of 35 volumes were produced from 1851-1885 by the Morrens, father and son. Charles François Antoine was director of the Jardin botanique de l’Université de Liège and professor of botany and his son, Charles Jacques Édouard, was also director of the Jardin botanique de l’Université de Liège and specialist on Bromeliaceae. * Nissen BBI 2218; Stafleu & Cowan pp. 592-593.
Rosaceae - Rosa Rêve d’Or From: Revue de l’horticulture belge et étrangère by Frédéric Burvenich, Oswald de Kerchove de Denterchem, Édouard Pynaert, August van Geert & Hubert J. van Hulle (editors). Gand [Gent], Bureau de la Revue, 1892, volume 18, plate 17. Chromolithograph (sheet 167 x 252 mm). Text enclosed. € 65 Belgian monthly, published from 1875-1914, giving general information about horticulture, new introductions and varieties, exhibitions etc. Most colour-plates were drawn and lithographed by P. de Pannemaeker, one of the leading artists of this time when Gent became the horticultural centre of the continent. * B-P-H 781-22; not in Nissen BBI.
*Rosaceae - Rosa* William Allen Richardson** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1886, January - June, volume 29, plate 541. Chromolithograph (sheet 217 x 280 mm). Illustrated text enclosed. € 80 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa* Antoine Rivoire** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1899, January - July, volume 55, plate 1207. Chromolithograph by J.L. Goffart after painting by H.G. Moon (sheet 223 x 285 mm). Text enclosed. € 120 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa* - rose de provins panachée - Narcisse de Salvandy** From: Flore des serres et des jardins de l’Europe by Charles Lemaire and others. Gand [Gent], Louis van Houtte, 1850, volume 6, plate 593. Hand-coloured lithograph (sheet 160 x 239 mm) by L. Stroobant. Text enclosed.text. € 85 The founder, publisher and part-editor of this lavish Belgian periodical was Louis van Houtte, the propietor of the largest nursery of its time on the continent. It appeared monthly for almost 40 years and was published by his own printing office in the middle of the gardens, the Horto van Houtteano. All the plants shown were for sale in his nursery and include many exotics. The work is notable for the craftmanship of the Belgian lithographers Severeyns, Stroobant and De Pannemaker, who had mastered the art of colour-printing from stone. * Great flower books p. 84; Nissen BBI 2254; Stafleu & Cowan 15.921.
*Rosaceae - Rosa* Saint George** From: La Belgique horticole, journal des jardins et des vergers founded by Charles François Antoine Morren and edited by Charles Jacques Édouard Morren. Liège [Luik], La Direction Générale, 1875, volume 25, plate 6. Chromolithograph by G. Severeyns after J.L. Macfarlane (sheet 158 x 238 mm). Text enclosed. € 55 Important Belgian periodical. A total of 35 volumes were produced from 1851-1885 by the Morrens, father and son. Charles François Antoine was director of the Jardin botanique de l’Université de Liège and professor of botany and his son, Charles Jacques Édouard, was also director of the Jardin botanique de l’Université de Liège and specialist on Bromeliaceae. * Nissen BBI 2218; Stafleu & Cowan pp. 592-593.
*Rosaceae - Rosa* Scotch briers** From: The garden. An illustrated weekly journal of horticulture in all its branches by William Robinson (editor). London, 1886, January - June, volume 29, plate 544. Chromolithograph (sheet 280 x 217 mm). Text enclosed. € 110 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). From 1880 Henry George Moon’s plant portraits dominated the pages of The Garden, a popular horticultural publication. Renowned for his lifelike paintings of orchids, Moon appealed to Robinson because of his ability to sketch flowers in a graceful, naturalistic style. The subtle colourings of his paintings and simple arrangement of flowers were very unlike the more stylised renderings that appeared in competitors’ publications. The beautiful colour-plates were lithographed and printed by the Belgian firm G. Severeyns and its successor J.L. Goffart, notable for their craftmanship. * Blunt & Stearn pp. 239-240; Nissen BBI 2264; B-P-H 391-10.
*Rosaceae - Rosa* Sweet little queen of Holland** From: Tijdschrift voor tuinbouw. Groningen, J.B. Wolters, 1899. Chromolithograph (sheet 165 x 243 mm). Fold and marginal tears. Text enclosed: Oranje rozen. € 25
*Rosaceae - Rose* Comtesse Vitali** From: Flora and sylva. A monthly review for lovers of garden, woodland, tree or flower; new and rare plants, trees, shrubs, and fruits; the garden beautiful, home woods, and home landscape by William Robinson (editor). London, the editor, 1904, volume 2, no. 17. Chromolithograph after painting by H.G. Moon (sheet 233 x 320 mm). Slightly foxed. Finely illustrated uncut text of half issue enclosed. € 80 All gardeners owe an infinite debt of gratitude to William Robinson - founder of The Garden (1871-1927) and Flora and Sylva (1903-05), and author of The English Flower Garden (1883, etc.) and other works - who helped to break the tyranny of formal bedding and, like Ruskin, drew attention to the beauties of the wild garden. Among the artists whom he employed was Henry Moon, who struck a new and personal, if not entirely healthy, note in botanical illustration. … (Blunt & Stearn). Of the well-produced monthly journal Flora and sylva, printed on hand-made paper, only 3 volumes with 66 colour-plates after paintings by Henry George Moon were published. * Blunt & Stearn pp. 238-240; Nissen BBI 2251.
INDEX <BACK NEXT> A-L · Ma1 · Ma2 · Ma3 · Me-Po · Pr1 · Pr2 · Py1 · Py2 · Q-Ro1 · Ro2 · Ro3 · Ru · S-Z